![]() ![]() Panelists also covered the rise in Latin music’s popularity and massive digital consumption worldwide, all helping propel the genre into a billion-dollar industry.Īdditionally, BMI co-presented LAMC’s Indie Showcase with Industria Works at the club DROM in the East Village of Manhattan, which featured a vibrantly diverse lineup of artists, including talented BMI songwriters like Mario Puglia, Circo and Loyal Lobos. A global leader in music rights management representing the public performance rights in more than 15 million musical works created and owned by more than one million songwriters, composers, and music publishers. ![]() The panel engaged in a deeply engrossing discussion about the creative process of writing a song that connects with fans through the business side of publishing and distribution. It takes extraordinary skill, talent, and hard work to write and publish songs. The 100 Licensing mandate is exactly what it sounds likea mandate that requires ASCAP and BMI to license public performance rights to 100 of a song in their respective repertories to a music user, which deviates from the fractional licensing of the past (dramatically). A song becomes valuable the second it’s created. ![]() Moderated by BMI’s Creative VP Latin, Jesus Gonzalez, it featured a slate of participants including BMI songwriters Elena Rose and Paula Cendejas, ASCAP songwriter Pedro Capó, as well as publishing executives like Mary Nuñez (Warner Chappell), Ana Rosa Santiago (Universal Music Publishing Group), Francisco Granados (Sony Music Publishing US Latin) and Emilio Morales (Rimas Publishing). SOCAN serves and champions more than 175,000 music creators, publishers and visual artists, advocates for them, and protects their rights. This year, BMI presented the panel, “It All Starts with A Song,” on Wednesday, July 12. BMI was excited to participate in the latest edition of LAMC, the Latin Alternative Music Conference, in New York City. ![]()
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